I discovered this fifteen years ago on a holiday in Japan: the change of environment is such an attack on your senses that it starts your creative juices flowing in a big way.
The ‘experiencing’ brain versus the ‘remembering’ brain. While we do something, we ‘experience’ it, but our brain only remembers highlights and the end afterward.
And you might wind up with the latest amazing drawing tools.
New art supply tools continually arrive on the market. When we find great drawing tools, we tend to hoard them and tell others about them. And so these specific supplies sell out quickly.
What you actually do need to copy from other artists you admire.
Copying how he works would mean focusing on the things you find fun and are good at and building around that, entering different creative fields, and sailing on the coattails of that skill you have that you are incredibly good at. ‘Doing what he does’ doesn’t mean copying his art style, it means building around things you are naturally good at and enjoy doing.
Sketchbooks and artbooks are different. It is helpful to keep both a sketchbook (which you keep private) and an artbook that can be shown to others. In practice, my sketchbooks are artbooks in the front and sketchbooks in the back. No one sees the back.
Insights on how we learn best, and how to apply that to becoming better at drawing.
Scientists have found ways to learn effectively. It boils down to testing yourself first, encoding the information that is not in your brain yet, and repetition.